A bit of my work.

My favourite VFX show is “The One and Only Ivan” where I had the privilege of working as a Key Lighting Artist across full sequences. This project allowed me to guide other artists, develop custom lighting rigs, and ensure visual consistency across multiple shots demanding a high level of realistic. It was both technically challenging and artistically fulfilling.

My favourite ANIMATED show I’ve worked on is “Spider-Man: Across The Spider-Verse”. It was an incredible opportunity to contribute to a large scale animated feature, where I handled not only lighting but compositing for the first time. The project was creatively inspiring, with each universe featuring its own unique visual style. My favourite being Earth-42 that had a bold, graphic and stylized colour palette.

My latest shows and first time working in Unreal. First one being “Predator: Killer of Killers”, where I worked on a REAL-TIME animation project, learning to collaborate effectively within the Unreal workflow and applying my lighting experience in a new context. second one being “The Lost Chapter: Yuki’s Revenge”, where I took on the role of a CINEMATIC LIGHTER, where the goal was to blend Quentin Tarantino’s story with the style of Fortnite. It was a highly interactive, real time process with no post lighting adjustments, making it a very dynamic and rewarding experience that merge both the animation and gaming worlds.